Dr. King is Professor and Chairperson of the Department of Communication at St. Edward's University. He has nearly thirty years of experience teaching in higher education; he previously taught at Delta State University (Mississippi) and Eastern Illinois University (EIU). At EIU, he served as Chairperson for EIU's Department of Communication Studies for five years (2013-2018). He has taught a variety of undergraduate and graduate courses in rhetorical theory and criticism, social movements, intercultural communication, communication theory, communication research methods, group communication and public speaking. St. Edward's University Magazine published an article about Dr. King's Rhetoric and Public Memory class.
Dr. King's research intersects rhetoric, public memory and cultural tourism. He has been actively involved in a variety of professional organizations including the National Communication Association. He has served as division program planner, panel chair, respondent and manuscript reviewer. He has published articles on reggae, blues and country music and currently serves on the editorial board for the interdisciplinary journal Rock Music Studies.
Academic Appointments
St. Edward's University, Chairperson and Professor, 2018-present
Eastern Illinois University, Chairperson and Professor, 2013-2018
Delta State University, Coordinator of Communication Studies and Theatre Arts, 2000-2013
Delta State University, Instructor to Full Professor, 1995-2013
- Ph.D. in Speech Communication, Indiana University, Bloomington, Indiana, 1997
- M.A. in Communication, University of New Mexico, Albuquerque, New Mexico, 1990
- B.A. in Communication, Boise State University, Boise, Idaho, 1987
Honors and Awards
Top Faculty Paper (with Dr. Roger D. Gatchet), Rhetoric and Public Address Division, Eastern Communication Association, Providence, Rhode Island, 2019.
Top Paper Panel (with Dr. Roger D. Gatchet), African American Communication and Culture Division, National Communication Association, Salt Lake City, Utah, 2018.
Academic Department Chairperson Leadership Award, Eastern Illinois University, May 2015.
Top Faculty Paper Award (with Dr. Roger D. Gatchet), African American Communication and Culture Division, National Communication Association, Las Vegas, Nevada, 2015
鈥淢ississippi Voice鈥 Advertising Campaign (University Press of Mississippi), Spring 2013. One of eight Mississippi scholars featured in UPM鈥檚 advertising campaign.
Mississippi Humanities Council Teaching Award for 2010-2011, November 2010.
William Winter Scholar (Award for Outstanding Humanities Faculty in Mississippi), February 2007.
Awarded DSU Foundation Excellence in Research Prize ($5,000), February 2006.
Top Paper Award, Popular Communication Division, Southern States Communication Association, Baton Rouge, Louisiana, 2005
Top Paper Award, Intercultural Communication Division, Southern States Communication Association, Tampa, Florida, 2004.
Research Fellow, University of the West Indies, Kingston, Jamaica, Summer 1994.
Community Service
My history of community service includes working as a volunteer for Habitat for Humanity and coaching youth soccer.
Organizations, Boards and Memberships
Editorial Board, Rock Music Studies
National Communication Association
Popular Culture Association
Southern States Communication Association
Association for Communication Administration
Reviewed manuscripts for journals (Rhetoric and Public Affairs, Western Journal of Communication, Southern Communication Journal, Rock Music Studies, Popular Music and Society, etc.) and conferences (for specific divisions via National Communication Association, Southern States Communication Association, etc.).
Research
During the early part of my academic career, my research focused primarily on the rhetorical dimensions of social movements. Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control (2002) traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Over the last twenty years, my research has focused primarily on examining how Mississippi promotes the blues and civil rights as part of its cultural heritage. In I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta (2011), I critically examine the role public memory, authenticity and myth play in the promotion of the Mississippi's blues culture and heritage. In August 2023, the University Press of Mississippi published my co-authored (Dr. Roger Gatchet, West Chester University of Pennsylvania) book entitled
Creative Expression Statement
King, Stephen, liner notes, Ex-Bombers, New Love is Easy (Cavetown Records, 2021).
I occasionally serve as a contributing writer (music reviewer) for Living Blues magazine.
Publications
Gachet, Roger D., and Stephen A. King. "Obfuscation, the Rhetoric of Martyrdom, and the Emmett Till Statue in Greenwood, Mississippi." Howard Journal of Communications. (2024). .
King, Stephen A., and Roger D. Gatchet. Terror and Truth: Civil Rights Tourism and the Mississippi Movement. Jackson: UP of Mississippi, 2023.
King, Stephen A., and Roger D. Gatchet. 鈥淗eritage Tourism, Origin Stories, and Arkansas Blues: Promoting Blues Tourism on Both Sides of the Mississippi River.鈥 Arkansas Review: A Journal of Delta Studies 53.3 (2022): 163-182.
King, Stephen A., and P. Renee Foster. 鈥溾楲eave Country Music to White Folk鈥?: Narratives from Contemporary African American Country Artists on Country Music and Race.鈥 The Honky Tonk on the Left: Progressive Thought in Country Music. Amherst: U of Massachusetts P., 2018. 214-235.
Gatchet, Roger D., and Stephen A. King, 鈥溾業 Call Him Father of Us All鈥: The Rhetoric of Transcendence at the B. B. King Museum and Delta Interpretive Center.鈥 Communication and Critical/Cultural Studies 15.2 (2018): 53-69.
King, Stephen A., and Roger D. Gatchet. 鈥淢arking the Past: Civil Rights Tourism and the Mississippi Freedom Trail.鈥 Southern Communication Journal 83.2 (2018): 103-118.
King, Stephen A. 鈥溾楶eople Get Ready鈥: The Civil Rights Movement, Protest Music, and the Rhetoric of Resistance.鈥 Social Controversy and Public Address in the 1960s and Early 1970s: The Rhetorical History of the United States: (Volume 9). Ed. Richard J. Jensen. East Lansing: Michigan State UP., 2017. 251-290.
King, Stephen A. 鈥淏lues Festivals.鈥 Mississippi Encyclopedia. Eds. Ted Ownsby and Charles Reagan Wilson. Jackson: UP of Mississippi, 2017. 114.
King, Stephen A. 鈥淢ississippi Blues Tourism: History, Marketing Strategies and Tourism Goals.鈥 Defining the Delta: Interdisciplinary Perspectives on the Lower Mississippi River. Ed. Janelle M. Collins. Fayetteville: U of Arkansas P., 2015. 203-217.
King, Stephen A. 鈥淏etween Jennings and Jones: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy.鈥 Popular Music and Society 37.1 (2014): 1-21.
King, Stephen A. 鈥淪egregated Sound: Inventing Folk and Pop Music in the Age of Jim Crow鈥 (book review). Journal of American Folklore 127.505 (2014): 323-324.
King, Stephen A., and P. Renee Foster. 鈥淩evolutionary Words: Reggae鈥檚 Evolution from Protest to Mainstream.鈥 The Routledge History of Social Protest in Popular Music. Ed. Jonathan Friedman. New York: Routledge, 2013. 248-262.
Meiki, Paulette, and Stephen A. King. 鈥淐ross Border Community Research, Opportunities and Challenges: Case Study Analyses. Delta Journal of Education 3.2 (2013): 53-71.
King, Stephen A. 鈥淪ka and the Roots of Rastafarian Musical Protest.鈥 Music and Protest. Ed. Ian Peddie. Aldershot: Eng.: Ashgate, 2012. 101-127. (Originally published in Reggae, Rastafari, and the Reggae of Social Control).
King, Stephen A. 鈥淭he Blues, Trauma, and Public Memory: Willie King and the Liberators.鈥 Popular Music and Human Rights (Volume I: British and American Music). Ed. Ian Peddie. Aldershot, Eng.: Ashgate, 2011. 67-77.
King, Stephen A. I鈥檓 Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta. Jackson: UP of Mississippi, 2011.
King, Stephen A. 鈥淏ob Marley: A Biography鈥 and 鈥淏ob Marley鈥 (book reviews). Caribbean Studies 37.1 (2009): 285-287.
King, Stephen A. 鈥淧rotest Music as 鈥楨go-Enhancement鈥: Reggae Music, the Rastafarian Movement, and the Reexamination of Race and Identity in Jamaica.鈥 The Resisting Muse: Popular Music and Social Protest. Ed. Ian Peddie. Aldershot, Eng.: Ashgate, 2006. 105-118.
King, Stephen A. 鈥淢emory, Mythmaking, and Museums: Constructive Authenticity and the Primitive Blues Subject.鈥 Southern Communication Journal 71.3 (2006): 235-250.
King, Stephen A. 鈥淩ace and Blues Tourism: A Comparison of Two Lodging Alternatives in Clarksdale, Mississippi.鈥 Arkansas Review: A Journal of Delta Studies 36.1 (2005): 26-42.
King, Stephen A. 鈥淏lues Tourism in the Mississippi Delta: The Functions of Blues Festivals.鈥 Popular Music and Society 27.4 (2004): 255-275.
King, Stephen A. Reggae, Rastafari, and the Rhetoric of Social Control. Jackson: UP of Mississippi, 2002.
King, Stephen A., and P. Renee Foster. 鈥溾楴o Problem, Mon鈥: Strategies Used to Promote Reggae Music as Jamaica鈥檚 Cultural Heritage.鈥 Journal of Nonprofit & Public Sector Marketing 8.4 (2001): 3-16.
King, Stephen A. 鈥淭he Co-optation of a 鈥楻evolution鈥: Rastafari, Reggae, and the Rhetoric of Social Control.鈥 Howard Journal of Communications 10.2 (1999): 77-95.
King, Stephen A. 鈥淚nternational Reggae, Democratic Socialism, and the Secularization of the Rastafarian Movement, 1972-1980.鈥 Popular Music and Society 22.3 (1998): 39-60.
King, Stephen A., and Richard J. Jensen. 鈥淏ob Marley鈥檚 鈥楻edemption Song鈥: The Rhetoric of Reggae and Rastafari.鈥 Journal of Popular Culture 29.3 (1995): 17-36.
Simpson, Tessa T., and Stephen A. King. 鈥淭he Sanctuary Movement: Criminal Trials and Religious Dissent.鈥Journal of Communication and Religion 15.2 (1992): 15-28.
Presentations
Selected Presentations (61 total):
Stephen A. King, and Roget D. Gatchet, "'The People' Remembering: Vernacular Spaces in Mississippi Civil Rights Tourism." Popular Culture Association. San Antonio, Texas. April 2023.
Roger, Gatchet D., and Stephen A. King, 鈥淩emembering the Mississippi Movement: A Rhetorical Analysis of the Mississippi Civil Rights Museum.鈥 National Communication Association. Indianapolis, Indiana. November 2020.
Roger, Gatchet D., and Stephen A. King, 鈥淭ruth in Tourism: Oral History, Public Memory, and the Mississippi Civil Rights Museum.鈥 Oral History Association. Baltimore, Maryland. October 2020.
King, Stephen A., 鈥淏irthplace of Legends: Public Memory and Mississippi鈥檚 Blues Tourism Industry,鈥 Southern Communication Association. Frisco, Texas. April 2020 [paper accepted; conference cancelled].
King, Stephen A., and Gatchet, Roger D., 鈥淎 Museum鈥檚 Genesis: Trump, Truth-Telling, and the Opening of the Mississippi Civil Rights Museum.鈥 National Communication Association. Baltimore, Maryland. November 2019.
Roger, Gatchet D., and Stephen A. King, 鈥淩hetorical Residencies: Civil Rights Homes as Metonymic Public Memory.鈥 Eastern States Communication Association. Providence: Rhode Island. April 2019. [Top Paper for the Rhetoric and Public Address Division].
Stephen A. King, and Roger D. Gatchet, 鈥淪ilence and Memory: A Rhetorical History of Civil Rights in Mississippi.鈥 National Communication Association. Salt Lake City. November 2018. [Top Paper Panel for the African American Communication and Culture Division].
Gatchet, Roger D., and Stephen A. King, 鈥淩emembering Emmett Till in Mississippi Civil Rights Tourism.鈥 Southern States Communication Association. Nashville, Tennessee. April 2018.
King, Stephen A., and Roger D. Gatchet. 鈥淢arking the Past: Civil Rights Tourism and the Mississippi Freedom Trail.鈥 National Communication Association, Dallas, Texas. November 2017.
King, Stephen A. 鈥淎nother Trail, Another Tourism Tale: Blues and Civil Rights Tourism.鈥 Keynote Address. Delta Symposium. Jonesboro, Arkansas. April 2016.
King, Stephen A., and P. Renee Foster. 鈥溾楲eave Country Music to White Folk鈥: Narratives from Contemporary African American Country Artists on Country Music and Race.鈥 National Communication Association, Philadelphia, Pennsylvania. November 2016.
Gatchet, Roger D., and Stephen A. King. 鈥淢usic and Public Memory: Transcending the Past at the B. B. King Museum and Delta Interpretive Center.鈥 National Communication Association. Las Vegas, Nevada. November 2015. [Top Paper Panel; Faculty Top Paper Award for Division].
King, Stephen A. Panel. 鈥淪potlight on Pedagogical Innovations in Communication Studies.鈥 Central States Communication Association. Minneapolis, Minnesota. April 2014. Originally presented at the Illinois Communication and Theatre Association. Bloomington, Illinois. September 2013. [Voted Best Panel of Illinois Communication and Theatre Arts conference and invited to re-present at CSCA].
King, Stephen A. 鈥淭he Civil Rights Movement and the Music of Resistance: An Analysis of Freedom Songs and Black Power Music.鈥 National Communication Association. Washington D.C. November 2013.
King, Stephen A. 鈥淏etween Jennings and Jones: Jamey Johnson, Hard-Core Country Music, and Outlaw as Authenticating Strategy.鈥 Southern States Communication Association. Louisville, Kentucky. April 2013.
King, Stephen A., and P. Renee Foster. 鈥淩evolutionary Words: Reggae鈥檚 Evolution from Protest to Mainstream.鈥 Popular Communication Association. Washington D.C. March 2013.
King, Stephen A. 鈥溾楾hat Same Old Blues鈥: Tourism Practices, African American Music Heritage, and the Marketing of Mississippi Delta鈥檚 Blues Heritage.鈥 National Communication Association. New Orleans, Louisiana. November 2011.
King, Stephen A. and P. Renee Foster, 鈥淗eritage Tourism: White Appropriation, and Black Culture: Blues Myths and the Rhetorical Imagination of Place.鈥 National Communication Association. San Francisco, California. November 2010.
King, Stephen A. and P. Renee Foster. 鈥淧romoting Mississippi鈥檚 Blues Heritage: Official Culture, Public Memory, and Racial Reconciliation.鈥 Southern Communication Association. Memphis, Tennessee. April 2010.